breaks and hip-hop producer ninelives the cat comes through with this nagging slice of solid production and catchy vocals in the form of >lalala<. the chorus hook will claw into your head like the feline in control, while the choppy funk licks that make up the beat will find a comfortable home on dancefloors all over. on the remix tip, funkanomics bring an uptempo 80s flavour with filtered guitars and brash drum machine beats, while dj alias does a more subtle turn in tightening up the groove of the original. will styles rounds things off with an electro-indebted workout full of chunky synths and club-ready construction.

micatone come off with a true masterpiece of sophisticated pop with their new and fifth album >wish i was here< (released in march 2012). not only the music press and feuilletons but also old devoted and newly found fans agree: micatone never sounded better before. the second offspring off the album is a 2-tracker with two very special remixes. label mate stee downes takes on >sweet pain< as if it was his own track and kicks out a vivacious deep house stormer. there is no doubt that this remix will be in every bag of those djs that put some more emotions on the floor. the second remix was orderd in italy - in bologna to be exact. keemani and alex ferratti just started their new project blue mondays and now – with their rework of >just a boy< – promisingly launch their career to become the next in-demand remixers. they dont just lay a vocal track over a pre-programed beat, but use all of their devotion, accuracy and finesse to turn an already astonishing pop song into an anthem for everlasting nights. it is like preparing the perfect sugo: simmer exquisite ingedients for days until your mouth is watering. perfetto!

very limited and mysterious one-off emanating, as you might expect, from the big apple. put together by a legendary ny record store owner from a personal stash of edits constructed for back in the day club play, which still sound super fresh and effective today !

another techno record from berlin! no its not! very limited and mysterious one-off shure shot single by no other then dj kaos. after releases on labels like rong, clone, dfa, modular and his own imprint jolly jams, the man returns with a big floor slammer! hands up! hot.

heavyweight vinyl pressing, including code for free mp3 download of this release.

in this release minilogue continue their journey through musical landscapes. they invite us all to join them for a guided tour into a range of different feelings. the a-side takes off in a quite serious mood, with a rolling beat to get the body warm whereon an ascending trip begins which is slowly inspiring us to open ourselves up and welcome the feeling of endlessness. feeling at ease with ourselves after the a-side we are ready to take on the playful jam tune on the b-side finally arriving in a loving place, a place where we all are supposed to be.

record dealer, dj and fountain of musical knowledge - mark seven returns with the eagerly awaited follow up to last years sellout smash >working girl<! parkway is a new label mark has set up to reflect the freedom and energy of the 80s dancefloor, albeit rewired with super 21st century sonics >midnite special< picks up where the first release left off. shot through with shimmering synths, booming bass lines, soaring vocal samples and super crisp rhythm programming, with that unmistakable paul simpson / boyd jarvis nyc proto house vibe. it is a beautifully uplifting selection of dubs, that are much more than the sum of their parts - dancefloor dynamite and we just cant get enough of it!

fresh from rocking croatia the boys are back & next up is an ep from the one and only greymatter - 3 killer tracks, all with that wolf music feel. rounded off with a remix from james welsh, this is bound to fly off the shelves.

following off from rejecteds successful summer they have hooked yet again some fresh new talent, dutch dj & producer mulder who steps up to take his place on the labels stellar stand of releases.

after superfort already presented himself on bigm productions with digital releases this year, it is time now to leave his real floor monsters out of the cage with this huge 12 inch wax ep straight for the floor. four action loaded, skills proving tunes in a breakbeat-ghettofunk-bigbeat manner rock your ass off! superfort, the insider tip of the year.

auf 500 kopien limitiertes live-album, nur auf vinyl! wer es bisher versäumt hat cloud nothings live zu erleben, hat nun die möglichkeit dazu. >live at grog shop< wurde wurde am 5. april 2012 (das ende der us-tour) in ihrer heimatstadt in cleveland, ohio von james kananen aufgenommen und gemixed.
one-off pressing white label clear vinyl. knapp ein jahr nach der veröffentlichung ihres debutalbums legte die amerikanische band cloud nothings ihren nachfolger vor. das album bietet eine echte musikalische weiterentwicklung zum debüt und vereint post punk, noise und indie pop. produziert wurde das neue album von der legende steve albini (pixies, nirvana, etc).

the ep kicks off with empire of dust, an epic and brooding electro beast with powerful, mechanoid drumwork and majestic synth vistas that manages to be euphoric yet dark and grounded at the same time. it was this track whose intent later gave rise to the shape and form of the other 3 tracks on the empires ep.

after the amazing view from above ep on frantic flowers we simply couldnt resist to do another project with this guy. detroit legend terrence dixon, the mastermind behind population one, is a genius in the field of minimalism and reduction. as a truly unique character from the early detroit techno era, always being true to his own style, this ep brings 4 new cuts in his typical and recognizable sound. minimalistic monotone rhythms and weird loop constructions, always with the right tension in place, sometimes topped off with spoken words. on the title track i program my computer right, a weird guitar loaded affair, terrence dixon is accompanied by ulandra & tiaria, supplying the vocals. again a very collectible release on frustrated funks harbour city sorrow!

after the amazing view from above ep on frantic flowers we simply couldnt resist to do another project with this guy. detroit legend terrence dixon, the mastermind behind population one, is a genius in the field of minimalism and reduction. as a truly unique character from the early detroit techno era, always being true to his own style, this ep brings 4 new cuts in his typical and recognizable sound. minimalistic monotone rhythms and weird loop constructions, always with the right tension in place, sometimes topped off with spoken words. on the title track i program my computer right, a weird guitar loaded affair, terrence dixon is accompanied by ulandra & tiaria, supplying the vocals. again a very collectible release on frustrated funks harbour city sorrow!

the excellent black key records returns with its first multi artist release, the eponymously titled black key ep featuring blm, flori & james johnston.
brighton based black key records has built a strong following for its individual take on deep, underground house music. releases from jonny cade, andy ash & chamboche, backed with remixes from ethyl, ugly drums and blm have given black key an instant kudos. now the black key team look to the release of their first multi artist ep featuring three superb cuts, from three outstanding producers.

celsius bring the sounds of chartstalker to the table with this next release all my love ep. even though chartstalker might be a new face to the drum & bass scene he already produced music for notable artists like wiley and the roll deep crew. kicking off with all my love chartstalker shows his diversity as a producer combining hip/glitch-hop breakdowns with powerfull drums, raging basslines and soothing vocals.

limited reissue of the original 1978 calendar records release of this super-obscure underground disco masterpiece from the sarr band. highly in-demand after support from djs such as rahaan and harvey, this killer double a-sided 12 inch kicks off with the awesome >magic mandrake<, a funky, undulating groove-stomper featuring an unstoppable bassline, boogie horns and sleazy vocals that rock the floor every time. on the second a side >double action< is a slower, chuggier disco gem with psychedelic beats, seedy flute-loops and smoky synths making for a truly cosmic experience. essential!

after a couple of house 12s foto returns to more edit-based territory with its first v/a ep. ooft! kicks things off by paying homage to the reverend and the deacon with love & soulsaving. next up italian newcomer la tuerie keeps things loopy, soulful and slow on filter. on the flip future star luvless from leipzig delivers some loping pitch-down house in the form of motion clapture and everyones favourite la don cole medina rounds out proceedings with the downbeat soul of i like you. job done.

moniker of 22-year-old brighton based charlie baldwin who cites steve reich & percussion heavy jazz as main influences for excursions into complex rhythmical territory. uses found sounds, live drums, synth & vocoder for unearthly beauty. kasket kicks off the ep with fallen, and it is apparent from the off that here is an artist very much ploughing his own unique furrow – the track has a polyrhythmic bounce that veers towards bhangra, tethered by a deep melancholic synth chord sequence and a heavily distorted vocoder.

the summer is bad as always in munich, but that is no reason to not have fun and spreading out the fire cuts. the 12 inch starts off with anisa, dedicated to marcos lady in mind and partner in wine. the eastern influences from his hood arent easy to ignore, and if u listen very carefully u can feel and smell the shisha dust inside the landwehr street.
in a city like munich its hard to rent an extra room for a studio due the extremely high prices, so we all have bedroom studios with the advantage that we can do music whenever we feel to. however our stressin turkish neighbour behaves like the pain in the ass of the whole neighbourhood. but we all have a vision and the night gives us the support we need to create our own space and our own time within our own spirit on 180 g vinyl from now on with a vinyl only cut on every 12 inch. twenty-three foreva!

the first release from swedens random island recordings offers three tracks of pure-bred techno from label owner inter gritty. nihad tule provides a stunning remix that turns the raw, chicago-esque pounding of kiska into a dramatic, flowing techno builder. and finally, huemul drops the pace and sets off to explore the deeper side of techno, drenched in drones, chords and deep bass.

with 808 horizon ep hot off the press, limikola welcomes a new face on the label! after the last remix release for herons track entitled rufus, including reinterpretations by troy pierce & heartthrob, miro pajic as well as nebes, its finally time for ir! this talented producer comes from...

rounding off the ep is ‘hackney’, a 4/4 jackin’ acid stomper, with a sound that is at the forefront of the current uk renaissance in stripped down, in-yer-face techno.

the cryovac machine is maintained and operated by a. garcia. the components that make this machine function are the artists that push their creations forward to seal off their own vision of the now. what is preserved is the character of a craft that follows its own path. cryovac believes sound vibration released from vinyl has the proper disposition to express the true nature of the cryovac approach, and only selects the best vinyl when manufacturing and inspecting its product. the cryovac machines purpose is to keep an independent view of the detroit sound. jason garcia is an international d.j., producer, and house music aficionado. his production runs the gambit of genres with a knack for injecting his smooth character into each work. for this effort garcia has chosen to represent himself with a house style that is truly pimp heroic. jason garcia will forever have people in the detroit underground.

suicide circus records is a new label connected to the berlin club suicide circus. the label represents the club in all its musical facettes, ranging from house and tech house to techno and all its derivates. mathias schaffhauser is a regular guest at our club. with nuevo romance he has delivered a funky theme for the late night romantics. falko brocksieper, also a regular guest gives us something for the birds, a classical house piece with beautiful chords. beni is one of our resident djs, a true school tech head. his track growth displays well his approach to the dancefloor, dark and functional. last but not least d_func. vs mario berger show off with a strong techno tool. d_func. is alexander kowalski’s alias for his raw techno output and despite of the raw apporach to this dancefloor monster you can well feel his professionality in production.

spring toy is an elegant a-side crafted with classic house influences in mind. meandering casually before beginning its ascent into deepspace territory, detroit styled synth lines and intricate melodies hang above a funky undertone which hooks from the off. continuing its cosmic trajectory, the ep’s b-sides set their coordinates into dub techno regions. lindberg’s quirky astral synths and futuristic soundscape trigger a dream-like state…think sci-fi beams and interplanetary navigation and you’re half way there. shudder is a more up-tempo sonic excursion, propelled by its galloping techno rhythms. the ebb and flow of trippy pads and crystalline waves play to the senses.

suicide circus records is a new label connected to the berlin club suicide circus. the label represents the club in all its musical facettes, ranging from house and tech house to techno and all its derivates. mathias schaffhauser is a regular guest at our club. with nuevo romance he has delivered a funky theme for the late night romantics. falko brocksieper, also a regular guest gives us something for the birds, a classical house piece with beautiful chords. beni is one of our resident djs, a true school tech head. his track growth displays well his approach to the dancefloor, dark and functional. last but not least d_func. vs mario berger show off with a strong techno tool. d_func. is alexander kowalski’s alias for his raw techno output and despite of the raw apporach to this dancefloor monster you can well feel his professionality in production.

fresh off the back of his debut ep for phantasy which won support from the likes of the chemical brothers, tiga, damian lazarus, andrew weatherall, gesaffelstien, jackmaster, smd, heidi and many more, phantasy proudly presents paul woolfords special request remix of taste. a thundering rough and ready approach to the original track, twisting it into something which would resemble kraftwerk had they spent their formative years overdosing on jungle.

slamming remastered reissue of über-rare detroit electro gold >mill-due< by t.mack on tiny label megas. incredibly hard to come by, this underground 12 inch from 1985 oozes funk, soul, boogie and delicious groove with a huge slice of time-defying electro chic. with a super-squelchy analogue bassline, sexy guitar licks and killer beats, it is topped off with detroit style space-age deep vocals which conjure images of early juan atkins productions - this record is a collectors wet dream! an on-air favourite of the electrifying mojo, this is motorcity electro at its very peak. absolutely 100% essential for fans of electro and techno alike! do not miss out on this true holy grail of detroit electro funk

the molisans brothers invite you to feel this new vibe, with their first vinyl release on the own label embi music that promises to take you on a deep journey of house and minimal grooves. they blend a variety of genres in their music with such perfection and detail. to top it off, myke anthony adds a special touch with his soulful vocals. special thanks to cocoons hero markus fix and italys london fm for their remix selection. the transformation aineli ep gets the respect it deserves.

after releases on hypercolour and its digital off shoot, tom demac now makes the step up to the glass table imprint with a far ranging three track ep that is arguably his finest to date. never one to fall into the usual tried and tested traps, demacs sound is as idiosyncratic as the man who makes it, drawing on myriad influences and getting the best out of his fine collection of studio of gear.

slamming remastered reissue of über-rare detroit electro gold *mill-due* by t.mack on tiny label megas. incredibly hard to come by, this underground 12 inch from 1985 oozes funk, soul, boogie and delicious groove with a huge slice of time-defying electro chic. with a super-squelchy analogue bassline, sexy guitar licks and killer beats, it is topped off with detroit style space-age deep vocals which conjure images of early juan atkins productions - this record is a collectors wet dream! an on-air favourite of the electrifying mojo, this is motorcity electro at its very peak. absolutely 100% essential for fans of electro and techno alike! do not miss out on this true holy grail of detroit electro funk.

the latest secret love 6 is accompanied again by a special ep. next to two out of the fifteen tracks off the compilation an exclusive remix by alex barck of unforscenes >dark souls< will be included.

after the trippy translations of the helium robot space trip called jarza, theo parrishs second and very welcomed visit to running back is all new material - almost. black mist in its extended version is just that: an extended take of the already released version on the rare-as-hens-teeth sketches pack. cut on 45, its a hard punch in the gut. techno-not-techno-house-not-house parrish power. previously unreleased and no less persuasive are pop off and wild out. while the first one centers around an endless piano and sucks you into the corny, but magic of repetition, the second one sounds like a theo parrish demo for dance mania after he came back from listening to lil louis at the bismark pavilion. mosh pit music. limited pressing in full printed sleeves.

in hades no one can hear you scream. vast armies of centurions fight for acid dominion. marching music fills the air, music for the brave. sheets of chemical rain stain the night sky orange and red. cerberus belches out of the night like a shotgun blast to the face.

grammafoon recordings kicks off with the fist release new talent frederik eisink brings 3 amazing tracks on the table , soulful deep-house with amazing jazzy vocals, and we have one kick ass remix from the head honcho himself s. elezi

repress in black vinyl!! part three of the brilliant four part remix series invites robert hood and dvs1 (zak khutoretsky) to the table, poly outer sleeve brilliantly shows off the printed insert also included... two remixers get in on the act this time for mr ruskins corking remix series - little more to say here, another great blueprint record !

you know what is what? its hector coutos (noir music, suara, brise records, kittball) new single on sphera with remixes by amir (bouq, off recordings, trapez ltd) and remixaholic siwell.

here is the new chateau flight track,called kounka. afro?techno?jungle house? a trippy journey thru sound fx, sub bass,and dirty snares. already supported by dixon, trevor jackson, ame among others... for the remix job we asked steve moore (half of zombi and several 12 inch on kompakt, permanent vacation and the super cool label from ny l.i.e.s.). for our enjoyment, steve delivered 2 versions in his typical multi-layered electronic sounds. one is for the club, and a slow version in a kosmich fashion

hannover based imprint yippiee return with the outstanding come with me ep this august by manuel moreno, backed with remixes from label owners filtertypen and normen hood. this release follows the success of yippiees treibgut sonder kompilation which featured cuts from deepnhouse heavy hitters chris lattner, moritz piske, patlac and gorge to name a few. now the german imprint deliver this four track single from swiss producer manuel moreno whos releases on 8bit and dj sets at space and privilege (ibiza) have earned him a highly praised status in the underground. title track, come with me, opens the release, encompassing a boomy kick drum, tight drum programming and ethereal atmospherics to create a deep and dark distinctive quality. the inclusion of a gritty sub bassline further fuels its murky progressive vibe, while the introduction of a soulful vocal hook and bright string melodies adds a lighter touch to the composition.label owners filtertypen opt for a less is more approach to their remix of come with me. stripping back the atmospherics to a more dismantled state, the duo-apply punchy drums and a warbling sub-bass,resulting in a smooth rolling groove that runs steadily for its duration. the cut comes into fruition threeminutes in when the pair bring in an amalgamation of deep strings, synth shots and delayed fx, finely placedto create an expansive dynamism. hello bernhard employs deep worldly percussion as its driving force, while guitar licks and warm chordscreate undeniably beautiful imagery. moreno demonstrates his ability to manipulate melodies with precisionhere, introducing several elements to play off one another in a call and response fashion. last up on the wax release is im sorry, a solid slice of house built around rolling toms, sawtooth bass notes and trippy vocal murmurs. manuel utilizes heavy delays and big room reverbs to create cavernous effects in the breaks that adds an incredible weight when the preceding groove is brought back in. to close the release normen hood offers up a remix of hello bernhard as a digital bonus. applying deep house tactics, hood plays on warm piano stabs and brass hooks that deviate around the tight-knit drums for several minutes creating an epic rework.

the time & space machine aka richard norris is straight out the gates with a second single off his acclaimed >taste the lazer< album. the summery gem, titled >good morning<, comes packed with three stunning accompaniments from leftside wobble, saint etienne and coyote.

freeze dried is the brand new label from the one and only grant nelson, with this new venture focusing on a deeper shade of beats... although refusing to be pigeon-holed, the labels brief is kept quite simple, fitting between a fusion of disco & deep house, the music quality is as you would expect the very highest quality! the opening release is a perfect snapshot of this, with the infectious nu-disco flavour of >time ties< kicking off the package, on the flip >not that same< goes a little deeper in the mix, with a melodic yet uplifting hook that has already been getting some serious exposure out in the ibiza sunshine.
plenty of high profile dj support has surrounded this release: giom, richard earnshaw, miguel migs, graeme park, soulmagic, tedd patterson, danny j lewis, kiko navarro, charles spencer, roog (hardsoul), ricky morrison, gavin mills (copyright), deepcitysoul, scott wozniak, dj jask, martin ikin (soul purpose), cj macintosh, random soul, andy ward, shane d, gilbert le funk, danism, dj mfr

glenview records follows up their onur engin album with this 8 track full length from spanish edit sensation rayko. here he reworks classic disco and funk tracks from womack & womack, joe coleman, d-train, bill house, final edition and more. dj friendly double vinyl with a full pic sleeve.

krone and malsum team up once again for this amazing new release on fkz:ltd. heavy on the neurotip, the a-side starts off with a creepy soundscape and rolling yet subtle break edits. the synth takes the overhand and leads you into the monsterous bassline. wicked! for the flip krone created a solo piece of music that could easily fit on motherlabel fokuz as well. a nice musical piece of music filled with the trademark krone basslines and sweeps. diverse ep for both traditional neuro fans as for the fokuz crew!

under the stewardship of alan fitzpatrick, 8 sided dice recordings continues to maintain its reputation as one of the most consistent techno labels to emerge in recent times thanks to a steady stream of well-received releases. the label operates as both a home for high profile artists and an outlet for emerging talent, striking a balance between output from fitzpatrick and that of his contemporaries, including contributions from rich jones, chris colburn, on/off, harvey mckay, hans bouffmyhre and nicole moudaber. established in 2008 as a vehicle for alan fitzpatrick to release his own music, 8 sided dice has evolved on an impressive trajectory in line with fitzpatricks own career.

the massive get down edits crew return for the summer with 4 killer reworks. alongside label head honchos gde we have the legendary 1979 orchestra edit machine rayko & rounding things off in style australias very own late night tuff guy who is riding high with a string of superb reworks. as ever this is a limted pressing so act fast to avoid missing out.

comes on limited transparent red vinyl.
great minimal & oriental club hit straight from cologne/ germany, this new rotfenstermusik track recieved an amazing feedback off the track in europe. now it is time to present it to the world!

with the first single release of beijing rock, paul brcic (paul brtschitsch) brings a driving yet emotional production into the world of electronic sounds. an unmistakable, pulsating beat reminiscent of detroit-techno, smooth percussion, and a catchy bass line make up the songs foundation, immediately casting a bewitching spell and leaving no room for detours. carefully arranged samples from the 40s mould the centrepiece of the club bangers and move in perfect harmony with the full synth and fx sounds. without a doubt, paul brcic sets off a multifaceted sound explosion with a first look at the album beijing rock, scheduled for release in autumn 2012, always keeping one eye on production-technical details and the other on organic sound. beijing rock immediately invades the senses from the first measure, taking you along a journey outside of the clubs of this world and catapulting you just as quickly back to the sweat-inducing, wild nights. absolutely magnificent - paul brcic in his purest form. the b-side acid & camambert clatters as if on rails through the fields of sound and sets off one adrenaline rush after another with its clear basslines and consistently rising networks of beats. exquisite superstructures and effect dramaturgy breathe life into acid & camambert with an unbelievable energy and nearly acidic characteristics.

very special release on demo disc from yam who? – yam who presents: night of the soulboy ep. the a side is huge, a special edit of a rare live jb recording. b side features >i can u can< an awesome mid tempo number, the 12 inch is rounded off with the soulful >looking 4 u<. yam who? getting back to the old school vibes on this one, killer release!